116 bars of 4/4 at 118 BPM, about 3:56 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 23-24, 30 and 87-94, and 1 more place -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 11 times: bars 9, 10, 11, 12, 20, 47 and 5 more.
116 bars across 19 sections: 69 keep time, 11 are fills, 7 are stops and 9 are silent. The longest unbroken stretch of time is bars 70-82.
118 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
116 bars, about 3:56 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 11 times: bars 9, 10, 11, 12, 20, 47 and 5 more.