118 bars of 4/4 at 114 BPM, about 4:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 16-24, 26 and 40-42, and 2 more places -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 11 times: bars 33, 57, 68, 69, 70, 71 and 5 more.
118 bars across 14 sections: 82 keep time, 11 are fills, 13 are stops and 1 is silent. The longest unbroken stretch of time is bars 17-26.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
118 bars, about 4:08 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 11 times: bars 33, 57, 68, 69, 70, 71 and 5 more.