93 bars of 4/4 at 132 BPM, about 3:02 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-4, 6-8 and 26-28, and 3 more places -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 20 times: bars 1, 5, 9, 25, 29, 63 and 14 more.
1 more fill is written out on the fills page.
97 bars across 13 sections: 52 keep time, 20 are fills, 2 are stops and 13 are silent. The longest unbroken stretch of time is bars 11-24.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
93 bars, about 3:02 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 20 times: bars 1, 5, 9, 25, 29, 63 and 14 more.