48 bars of 4/4 at 120 BPM, about 1:36 of playing, on snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 9, 12 and 20, and 5 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
48 bars across 5 sections: 37 keep time and 6 are silent. The longest unbroken stretch of time is bars 23-37.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
11 out of 100: straightforward, and the one thing to watch is how often it moves around the kit. The beat itself is 0 out of 100; the rest of the number is everything around it.
48 bars, about 1:36 at the written tempo. The course breaks it into 16 exercises over 4 sittings, about 25 minutes each.
snare, high tom, mid tom and kick. Nothing in the part asks for anything else.