130 bars of 4/4 at 135 BPM, about 3:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 37-43, 67-71 and 73, and 2 more places -- 22.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 24 times: bars 16, 17, 19, 20, 21, 22 and 18 more.
8 more fills are written out on the fills page.
130 bars across 20 sections: 68 keep time, 24 are fills, 5 are stops and 9 are silent. The longest unbroken stretch of time is bars 123-130.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
130 bars, about 3:51 at the written tempo. The course breaks it into 57 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 24 times: bars 16, 17, 19, 20, 21, 22 and 18 more.