206 bars of 4/4 at 140 BPM, about 6:00 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 65-66, 69-70 and 105-110, and 2 more places -- 11.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 57 times: bars 4, 5, 6, 7, 8, 9 and 51 more.
18 more fills are written out on the fills page.
206 bars across 21 sections: 106 keep time, 57 are fills, 14 are stops and 11 are silent. The longest unbroken stretch of time is bars 130-141.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
206 bars, about 6:00 at the written tempo. The course breaks it into 78 exercises over 22 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 57 times: bars 4, 5, 6, 7, 8, 9 and 51 more.