128 bars of 4/4 at 115 BPM, about 4:27 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 27 more places -- 33.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 6 times: bars 32, 68, 100, 112, 124 and 128.
128 bars across 12 sections: 100 keep time, 6 are fills and 7 are silent. The longest unbroken stretch of time is bars 38-59.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
128 bars, about 4:27 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 32, 68, 100, 112, 124 and 128.