205 bars of 4/4 at 128 BPM, about 6:17 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7-8, 10-16 and 18, and 15 more places -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 22 times: bars 37, 53, 78, 79, 83, 86 and 16 more.
10 more fills are written out on the fills page.
205 bars across 16 sections: 152 keep time, 22 are fills, 4 are stops and 7 are silent. The longest unbroken stretch of time is bars 38-52.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
205 bars, about 6:17 at the written tempo. The course breaks it into 56 exercises over 19 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 22 times: bars 37, 53, 78, 79, 83, 86 and 16 more.