77 bars of 4/4 at 135 BPM, about 2:16 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7-9, 21-23 and 25 -- 9.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 34 times: bars 1, 2, 6, 12, 14, 18 and 28 more.
12 more fills are written out on the fills page.
77 bars across 7 sections: 26 keep time, 35 are fills and 8 are stops. The longest unbroken stretch of time is bars 62-66.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
77 bars, about 2:16 at the written tempo. The course breaks it into 43 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 34 times: bars 1, 2, 6, 12, 14, 18 and 28 more.