478 bars of 4/4 at 126 BPM, about 15:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 50-52, 54-56 and 115-117, and 7 more places -- 5.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
49 fills to learn, played 163 times: bars 1, 5, 7, 8, 9, 10 and 157 more.
45 more fills are written out on the fills page.
478 bars across 38 sections: 217 keep time, 163 are fills, 43 are stops and 12 are silent. The longest unbroken stretch of time is bars 448-460.
126 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
478 bars, about 15:11 at the written tempo. The course breaks it into 153 exercises over 53 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
49 fills to learn, played 163 times: bars 1, 5, 7, 8, 9, 10 and 157 more.