97 bars of 4/4 at 128 BPM, about 3:02 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 7-9 and 11, and 7 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 16 times: bars 2, 4, 5, 6, 10, 18 and 10 more.
4 more fills are written out on the fills page.
97 bars across 14 sections: 58 keep time, 16 are fills, 9 are stops and 2 are silent. The longest unbroken stretch of time is bars 51-57.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
97 bars, about 3:02 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 16 times: bars 2, 4, 5, 6, 10, 18 and 10 more.