55 bars of 4/4 at a walking 78 BPM, 2:46 of playing, on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-7, 17-18 and 20-21, and 2 more places -- 28.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 3 times: bars 19, 33 and 44.
55 bars across 9 sections: 40 keep time, 3 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 24-32.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
55 bars, about 2:46 at the written tempo. The course breaks it into 21 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 19, 33 and 44.