239 bars of 3/4 -- not four -- at 144 BPM, 5:25 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 81, 83 and 85, and 28 more places -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 60 times: bars 6, 7, 15, 18, 19, 35 and 54 more.
21 more fills are written out on the fills page.
239 bars across 9 sections: 91 keep time, 60 are fills, 78 are stops and 3 are silent. The longest unbroken stretch of time is bars 21-34.
144 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
239 bars, about 5:25 at the written tempo. The course breaks it into 51 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 60 times: bars 6, 7, 15, 18, 19, 35 and 54 more.