121 bars, 8:18, at 65 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 35-37, 39-41 and 52-54, and 4 more places -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 11 times: bars 34, 38, 43, 51, 59, 63 and 5 more.
5 more fills are written out on the fills page.
121 bars across 13 sections: 70 keep time, 11 are fills, 7 are stops and 23 are silent. The longest unbroken stretch of time is bars 20-30.
65 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
121 bars, about 8:18 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 11 times: bars 34, 38, 43, 51, 59, 63 and 5 more.