151 bars of 4/4 at 113 BPM, about 5:23 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-12, 15-17 and 20, and 12 more places -- 20.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 21 times: bars 14, 18, 19, 21, 22, 23 and 15 more.
8 more fills are written out on the fills page.
151 bars across 14 sections: 95 keep time, 22 are fills, 10 are stops and 15 are silent. The longest unbroken stretch of time is bars 73-92.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
151 bars, about 5:23 at the written tempo. The course breaks it into 46 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 14, 18, 19, 21, 22, 23 and 15 more.