125 bars of 4/4 at 137 BPM, about 3:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-4, 6-8 and 10-12, and 2 more places -- 12.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 16 times: bars 1, 15, 17, 19, 21, 39 and 10 more.
9 more fills are written out on the fills page.
126 bars across 17 sections: 79 keep time, 16 are fills, 11 are stops and 4 are silent. The longest unbroken stretch of time is bars 60-74.
137 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
125 bars, about 3:37 at the written tempo. The course breaks it into 61 exercises over 19 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 16 times: bars 1, 15, 17, 19, 21, 39 and 10 more.