98 bars of 4/4 at 146 BPM, about 2:39 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 12-14, 16 and 37, and 1 more place -- 6.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 7 times: bars 19, 24, 27, 39, 47, 79 and 1 more.
3 more fills are written out on the fills page.
98 bars across 18 sections: 62 keep time, 7 are fills, 7 are stops and 10 are silent. The longest unbroken stretch of time is bars 84-93.
146 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
98 bars, about 2:39 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 7 times: bars 19, 24, 27, 39, 47, 79 and 1 more.