104 bars of 4/4 at 120 BPM, about 3:28 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-19, 83-85 and 87, and 2 more places -- 17.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 8 times: bars 20, 68, 70, 72, 76, 81 and 2 more.
1 more fill is written out on the fills page.
104 bars across 11 sections: 69 keep time, 8 are fills, 4 are stops and 12 are silent. The longest unbroken stretch of time is bars 83-94.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 9 out of 100; the rest of the number is everything around it.
104 bars, about 3:28 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 20, 68, 70, 72, 76, 81 and 2 more.