117 bars of 4/4 at 144 BPM, about 3:15 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26-32, 62-68 and 96-100 -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 41 times: bars 9, 17, 21, 24, 25, 33 and 35 more.
13 more fills are written out on the fills page.
117 bars across 14 sections: 52 keep time, 41 are fills, 9 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-8.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
117 bars, about 3:15 at the written tempo. The course breaks it into 52 exercises over 13 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 41 times: bars 9, 17, 21, 24, 25, 33 and 35 more.