78 bars of 4/4 at 141 BPM, about 2:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-19, 22-23 and 37-39, and 3 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 8 times: bars 24, 71, 72, 73, 74, 75 and 2 more.
78 bars across 10 sections: 51 keep time, 8 are fills, 4 are stops and 3 are silent. The longest unbroken stretch of time is bars 9-15.
141 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
78 bars, about 2:13 at the written tempo. The course breaks it into 27 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 8 times: bars 24, 71, 72, 73, 74, 75 and 2 more.