58 bars of 4/4 at 113 BPM, about 1:49 of playing, on crash, ride, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 25-30 and 49-54 -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 13 times: bars 1, 13, 17, 19, 20, 22 and 7 more.
73 bars across 9 sections: 38 keep time, 13 are fills, 5 are stops and 7 are silent. The longest unbroken stretch of time is bars 33-40.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
58 bars, about 1:49 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 13 times: bars 1, 13, 17, 19, 20, 22 and 7 more.