91 bars of 4/4 at 132 BPM, about 2:45 of playing, on crash, hi-hat, snare, high tom and kick.
The beat the song is built on is one bar, played through bars 6-13, 20-27 and 56, and 3 more places -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 13 times: bars 5, 19, 31, 41, 51, 53 and 7 more.
3 more fills are written out on the fills page.
91 bars across 13 sections: 61 keep time, 13 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 56-63.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
91 bars, about 2:45 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom and kick. Nothing in the part asks for anything else.
7 fills to learn, played 13 times: bars 5, 19, 31, 41, 51, 53 and 7 more.