144 bars of 3/4 -- not four -- at 90 BPM, 4:48 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-9, snare through bars 10-15, ride through bars 16-17, hi-hat through bars 18-33, snare through bars 34-39 and ride through bars 40-41, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 19-20, 22-28 and 30-32, and 3 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19
1.......2.......3.......
HH |xxxxx-x-x-x-x-x-x-x-x-x-|
SD |------------x-----------|
BD |x---x-------------------|7 fills to learn, played 19 times: bars 10, 15, 16, 17, 33, 34 and 13 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
144 bars, about 4:48 at the written tempo. The course breaks it into 34 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 19 times: bars 10, 15, 16, 17, 33, 34 and 13 more.