144 bars of 3/4 -- not four -- at 90 BPM, 4:48 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19-20, 22-28 and 30-32, and 3 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 19 times: bars 10, 15, 16, 17, 33, 34 and 13 more.
3 more fills are written out on the fills page.
144 bars across 11 sections: 89 keep time, 19 are fills, 4 are stops and 25 are silent. The longest unbroken stretch of time is bars 122-141.
90 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
144 bars, about 4:48 at the written tempo. The course breaks it into 34 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 19 times: bars 10, 15, 16, 17, 33, 34 and 13 more.