198 bars of 4/4 at 125 BPM, about 6:20 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 47-48, 50-56 and 70-71, and 4 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 12 times: bars 43, 44, 45, 46, 57, 82 and 6 more.
2 more fills are written out on the fills page.
198 bars across 34 sections: 110 keep time, 12 are fills, 20 are stops and 44 are silent. The longest unbroken stretch of time is bars 134-146.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 49 out of 100; the rest of the number is everything around it.
198 bars, about 6:20 at the written tempo. The course breaks it into 54 exercises over 12 sittings, about 29 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 43, 44, 45, 46, 57, 82 and 6 more.