98 bars of 4/4 at a walking 95 BPM, 4:08 of playing, on crash, ride, hi-hat, snare and kick.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bar 1, ride through bars 2-10, hi-hat through bars 11-26, ride through bars 27-34, hi-hat through bars 35-50 and ride through bars 51-58, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 27-31, 51-52 and 54-55, and 4 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27
1e+a2e+a3e+a4e+a
CC |x---------------|
RD |--x-x-x-x-x-x-x-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|14 fills to learn, played 34 times: bars 1, 5, 9, 10, 14, 18 and 28 more.
It cuts the song into 43 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
98 bars, about 4:08 at the written tempo. The course breaks it into 43 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
14 fills to learn, played 34 times: bars 1, 5, 9, 10, 14, 18 and 28 more.