71 bars of 4/4 at 147 BPM, about 1:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 8-9, 11-13 and 16-17, and 2 more places -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 26 times: bars 6, 14, 17, 18, 20, 22 and 20 more.
6 more fills are written out on the fills page.
71 bars across 8 sections: 29 keep time, 26 are fills and 10 are silent. The longest unbroken stretch of time is bars 7-13.
147 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
89 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
71 bars, about 1:56 at the written tempo. The course breaks it into 31 exercises over 12 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 26 times: bars 6, 14, 17, 18, 20, 22 and 20 more.