177 bars of 4/4 at 140 BPM, about 5:03 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 3 and 5, and 21 more places -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 37 times: bars 32, 36, 48, 50, 52, 54 and 31 more.
11 more fills are written out on the fills page.
177 bars across 18 sections: 119 keep time, 37 are fills, 4 are stops and 4 are silent. The longest unbroken stretch of time is bars 1-25.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
177 bars, about 5:03 at the written tempo. The course breaks it into 56 exercises over 16 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 37 times: bars 32, 36, 48, 50, 52, 54 and 31 more.