147 bars of 4/4 at 110 BPM, about 5:21 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-27, 29-30 and 41-47, and 4 more places -- 22.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 26 times: bars 20, 24, 28, 31, 32, 40 and 20 more.
13 more fills are written out on the fills page.
147 bars across 16 sections: 98 keep time, 26 are fills, 7 are stops and 4 are silent. The longest unbroken stretch of time is bars 1-19.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
147 bars, about 5:21 at the written tempo. The course breaks it into 54 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 26 times: bars 20, 24, 28, 31, 32, 40 and 20 more.