212 bars of 4/4 at 120 BPM, about 7:04 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-20, 22 and 24, and 15 more places -- 22.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 16 times: bars 1, 65, 73, 81, 105, 113 and 10 more.
6 more fills are written out on the fills page.
212 bars across 22 sections: 140 keep time, 16 are fills, 30 are stops and 4 are silent. The longest unbroken stretch of time is bars 32-56.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
212 bars, about 7:04 at the written tempo. The course breaks it into 68 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 16 times: bars 1, 65, 73, 81, 105, 113 and 10 more.