101 bars of 4/4 at 140 BPM, about 2:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 81-98 -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 9 times: bars 29, 31, 33, 71, 73, 75 and 3 more.
1 more fill is written out on the fills page.
101 bars across 10 sections: 62 keep time, 9 are fills, 8 are stops and 20 are silent. The longest unbroken stretch of time is bars 82-100.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 91 out of 100; the rest of the number is everything around it.
101 bars, about 2:55 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 9 times: bars 29, 31, 33, 71, 73, 75 and 3 more.