68 bars of 4/4 at 135 BPM, about 2:01 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 4-6, 8-10 and 13-14, and 8 more places -- 31.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 11 times: bars 35, 39, 43, 51, 55, 59 and 5 more.
68 bars across 6 sections: 49 keep time, 11 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 2-33.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
68 bars, about 2:01 at the written tempo. The course breaks it into 23 exercises over 8 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 11 times: bars 35, 39, 43, 51, 55, 59 and 5 more.