137 bars of 4/4 at a walking 103 BPM, 5:18 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19-21, 23-25 and 33-35, and 3 more places -- 13.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 23 times: bars 13, 14, 18, 22, 28, 32 and 17 more.
3 more fills are written out on the fills page.
137 bars across 15 sections: 80 keep time, 23 are fills, 16 are stops and 4 are silent. The longest unbroken stretch of time is bars 102-112.
103 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
137 bars, about 5:18 at the written tempo. The course breaks it into 46 exercises over 14 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 23 times: bars 13, 14, 18, 22, 28, 32 and 17 more.