217 bars of 4/4 at 115 BPM, about 7:32 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-8, 15 and 17, and 15 more places -- 32.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 15 times: bars 10, 12, 38, 141, 142, 143 and 9 more.
3 more fills are written out on the fills page.
217 bars across 21 sections: 141 keep time, 16 are fills, 11 are stops and 22 are silent. The longest unbroken stretch of time is bars 40-74.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
217 bars, about 7:32 at the written tempo. The course breaks it into 58 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 10, 12, 38, 141, 142, 143 and 9 more.