116 bars of 4/4 at 135 BPM, about 3:26 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-27, 29 and 31, and 9 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 22 times: bars 22, 23, 24, 32, 40, 41 and 16 more.
4 more fills are written out on the fills page.
116 bars across 12 sections: 60 keep time, 22 are fills, 1 is a stop and 21 are silent. The longest unbroken stretch of time is bars 33-39.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
116 bars, about 3:26 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 22 times: bars 22, 23, 24, 32, 40, 41 and 16 more.