98 bars of 4/4 at 125 BPM, about 3:08 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14-23, 38-40 and 42-47 -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 4 times: bars 34, 58, 59 and 98.
98 bars across 12 sections: 50 keep time, 4 are fills, 23 are stops and 17 are silent. The longest unbroken stretch of time is bars 13-27.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 30 out of 100; the rest of the number is everything around it.
98 bars, about 3:08 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 34, 58, 59 and 98.