198 bars of 4/4 at 126 BPM, about 6:17 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 118-121, 124-131 and 150-164 -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 27 times: bars 6, 7, 8, 9, 13, 17 and 21 more.
6 more fills are written out on the fills page.
198 bars across 15 sections: 137 keep time, 27 are fills and 11 are stops. The longest unbroken stretch of time is bars 151-166.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
198 bars, about 6:17 at the written tempo. The course breaks it into 54 exercises over 17 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 27 times: bars 6, 7, 8, 9, 13, 17 and 21 more.