198 bars of 4/4 at 126 BPM, about 6:17 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-51, snare through bars 52-57, hi-hat through bars 58-59, snare through bars 60-65, hi-hat through bars 66-67 and snare through bars 68-69, and 11 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 118-121, 124-131 and 150-164 -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
118 119
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x---x---x---x---|
SD |----x-------x---|----x-------x-xx|
BD |x-xxx-x---x-----|x-x-xxx-x---x---|9 fills to learn, played 27 times: bars 6, 7, 8, 9, 13, 17 and 21 more.
It cuts the song into 54 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
198 bars, about 6:17 at the written tempo. The course breaks it into 54 exercises over 17 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 27 times: bars 6, 7, 8, 9, 13, 17 and 21 more.