94 bars of 4/4 at 116 BPM, about 3:13 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27-29, 31-33 and 52-54, and 2 more places -- 15.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 19 times: bars 5, 9, 10, 14, 18, 20 and 13 more.
9 more fills are written out on the fills page.
94 bars across 15 sections: 52 keep time, 19 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 85-91.
116 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
94 bars, about 3:13 at the written tempo. The course breaks it into 53 exercises over 16 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 19 times: bars 5, 9, 10, 14, 18, 20 and 13 more.