217 bars of 4/4 at 118 BPM, about 7:17 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 38-43, 46-59 and 86-87, and 2 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 47 times: bars 13, 22, 44, 60, 61, 62 and 41 more.
19 more fills are written out on the fills page.
217 bars across 19 sections: 116 keep time, 47 are fills, 25 are stops and 12 are silent. The longest unbroken stretch of time is bars 45-59.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 25 out of 100; the rest of the number is everything around it.
217 bars, about 7:17 at the written tempo. The course breaks it into 58 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 47 times: bars 13, 22, 44, 60, 61, 62 and 41 more.