217 bars of 4/4 at 118 BPM, about 7:17 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-13, hi-hat through bars 14-36, toms through bars 37-62, hi-hat through bars 63-84, toms through bars 85-106 and hi-hat through bars 107-146, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 38-43, 46-59 and 86-87, and 2 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
38
1e+a2e+a3e+a4e+a
SD |--------x-------|
T1 |------------x---|
T2 |x---x-x-------x-|
FT |x-x-x-x-x-x-x-x-|
BD |x-------------x-|23 fills to learn, played 47 times: bars 13, 22, 44, 60, 61, 62 and 41 more.
It cuts the song into 58 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 25 out of 100; the rest of the number is everything around it.
217 bars, about 7:17 at the written tempo. The course breaks it into 58 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 47 times: bars 13, 22, 44, 60, 61, 62 and 41 more.