92 bars of 4/4 at 112 BPM, about 3:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21-27, 43 and 45-51, and 1 more place -- 26.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 16 times: bars 16, 20, 28, 36, 44, 52 and 10 more.
4 more fills are written out on the fills page.
92 bars across 8 sections: 60 keep time, 16 are fills and 9 are silent. The longest unbroken stretch of time is bars 8-15.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
92 bars, about 3:17 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 16 times: bars 16, 20, 28, 36, 44, 52 and 10 more.