138 bars of 4/4 at 130 BPM, about 4:15 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-7, 9-10 and 13-19, and 15 more places -- 34.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 10 times: bars 1, 2, 3, 4, 8, 12 and 4 more.
3 more fills are written out on the fills page.
138 bars across 11 sections: 106 keep time, 11 are fills, 8 are stops and 3 are silent. The longest unbroken stretch of time is bars 13-35.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
138 bars, about 4:15 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 1, 2, 3, 4, 8, 12 and 4 more.