168 bars of 4/4 at 120 BPM, about 5:35 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 88, 90 and 92, and 10 more places -- 9.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 14 times: bars 29, 34, 42, 44, 46, 58 and 8 more.
7 more fills are written out on the fills page.
168 bars across 8 sections: 26 keep time, 14 are fills, 92 are stops and 32 are silent. The longest unbroken stretch of time is bars 54-57.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 38 out of 100; the rest of the number is everything around it.
168 bars, about 5:35 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 14 times: bars 29, 34, 42, 44, 46, 58 and 8 more.