477 bars of 4/4 at 135 BPM, about 14:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19-21, 23-25 and 42-44, and 6 more places -- 3.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
55 fills to learn, played 171 times: bars 2, 4, 6, 8, 13, 14 and 165 more.
52 more fills are written out on the fills page.
477 bars across 43 sections: 195 keep time, 171 are fills, 24 are stops and 50 are silent. The longest unbroken stretch of time is bars 199-213.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
477 bars, about 14:57 at the written tempo. The course breaks it into 186 exercises over 62 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
55 fills to learn, played 171 times: bars 2, 4, 6, 8, 13, 14 and 165 more.