155 bars of 4/4 at 123 BPM, about 4:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 25-27, and 3 more places -- 11.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 27 times: bars 12, 20, 24, 28, 29, 31 and 21 more.
10 more fills are written out on the fills page.
155 bars across 20 sections: 93 keep time, 27 are fills, 10 are stops and 4 are silent. The longest unbroken stretch of time is bars 118-126.
123 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
155 bars, about 4:51 at the written tempo. The course breaks it into 56 exercises over 16 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 27 times: bars 12, 20, 24, 28, 29, 31 and 21 more.