71 bars of 4/4 at 120 BPM, about 2:22 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-13, 24-30 and 40, and 1 more place -- 25.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 14 times: bars 16, 18, 22, 31, 33, 35 and 8 more.
3 more fills are written out on the fills page.
71 bars across 9 sections: 41 keep time, 15 are fills and 3 are stops. The longest unbroken stretch of time is bars 6-13.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
71 bars, about 2:22 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 16, 18, 22, 31, 33, 35 and 8 more.