156 bars of 4/4 at 112 BPM, about 5:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 1-4, 6 and 9-12, and 4 more places -- 13.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 49 times: bars 24, 40, 44, 45, 46, 47 and 43 more.
3 more fills are written out on the fills page.
156 bars across 15 sections: 69 keep time, 51 are fills, 5 are stops and 25 are silent. The longest unbroken stretch of time is bars 1-23.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
156 bars, about 5:34 at the written tempo. The course breaks it into 35 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 49 times: bars 24, 40, 44, 45, 46, 47 and 43 more.