145 bars of 4/4 at 124 BPM, about 4:40 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-4, 7-9 and 11-12, and 23 more places -- 27.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 26 times: bars 5, 13, 41, 42, 43, 45 and 20 more.
4 more fills are written out on the fills page.
145 bars across 8 sections: 109 keep time, 26 are fills and 1 is silent. The longest unbroken stretch of time is bars 14-37.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
145 bars, about 4:40 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 26 times: bars 5, 13, 41, 42, 43, 45 and 20 more.