The beat the song is built on is one bar, played through bars 26-33, 62-67 and 95-109, and 1 more place -- 31.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
It is played on crash, hi-hat, snare and kick, counted in sixteenth notes. On its own it scores 52 out of 100 -- a step up -- and the thing that decides that is how many notes a second it asks for.
The whole song is 61 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 85 BPM, and adds the notes back a rung at a time -- 4 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 85, 100, 115 and 130 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on crash, hi-hat, snare and kick, in 4/4 at 130 BPM, counted in sixteenth notes. It is written out above, and it covers 31.6% of the bars the kit plays.
Bars 26-33, 62-67, 95-109 and 111-117. The time is kept on the silence to start with, and it changes 1 time over the song.
52 out of 100 on its own -- a step up. The song as a whole is 61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.